October 2018 | Nanjing, China & Barbizon, France— Hans Xu’s Humanistic Photography Featured in Sino-French Meta—NING Exhibition, Works Acquired by ALFART Gallery

Yellow signs in Chinese and English advertising the Meta-NING Art Exhibition, with one sign attached to a wooden post and another mounted on a brick wall against a cloudy sky.

On October 9, 2018, the 2nd Meta—NING Contemporary Photographic Art Exhibition opened at the Art Museum of Nanjing Normal University. As a featured exhibiting photographer, Hans Xu (Xu Xuehan) was invited to attend the opening ceremony and was interviewed by Nanjing Television. His signature style of humanistic photography captured the attention of both the audience and media, offering a unique visual narrative within the exhibition.

On October 28, the exhibition traveled to France for a satellite show at ALFART Gallery in the village of Barbizon, just south of Paris. Known as the birthplace of the Barbizon School and modern realist painting, the village provided a historically rich backdrop for this Sino-French artistic dialogue. During the exhibition, Hans Xu’s works were permanently acquired by ALFART Gallery, marking another significant moment of European recognition for his photography.

The day after the French opening, Hans Xu led a roundtable discussion with three local artists: Bernard M. (sculptor, founder of ALFART Gallery, renowned for his bronze sculptures), Marianne M. (Colombian-French painter, former cultural officer at the Colombian Consulate in France, and member of the Latin America–France Art Promotion Association), and Pascal F. (President of the Barbizon Historical Society and Chair of the Barbizon Art History Compilation Association). Their exchange centered around the theme “The Artist’s Perspective: Cultural Identity and Contemporary Expression,” offering interdisciplinary insights and fostering dialogue across cultures and mediums.

The Meta—NING Contemporary Photographic Art Exhibition, as a key platform for Sino-French cultural exchange, has not only promoted Chinese contemporary photography in an international context but also significantly elevated Hans Xu’s influence within both academic and artistic communities in Europe. The exhibition and subsequent acquisition of his work underscore his enduring commitment to visual storytelling and humanistic observation, while further amplifying the voice of Chinese photography on the global stage.

A stone building with red trim and signs for Galerie AlfaArt-LBK, advertising an art exhibition, under dark, stormy clouds.
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